Combining Texts

All the ideas for 'fragments/reports', 'Art and Its Objects' and 'Tarski's Theory of Truth'

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27 ideas

3. Truth / A. Truth Problems / 4. Uses of Truth
10825 The notion of truth is to help us make use of the utterances of others [Field,H]
3. Truth / A. Truth Problems / 9. Rejecting Truth
10820 In the early 1930s many philosophers thought truth was not scientific [Field,H]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / a. Tarski's truth definition
13499 Tarski reduced truth to reference or denotation [Field,H, by Hart,WD]
10818 Tarski really explained truth in terms of denoting, predicating and satisfied functions [Field,H]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / b. Satisfaction and truth
10817 Tarski just reduced truth to some other undefined semantic notions [Field,H]
5. Theory of Logic / I. Semantics of Logic / 2. Formal Truth
10819 Tarski gives us the account of truth needed to build a group of true sentences in a model [Field,H]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
10827 Model theory is unusual in restricting the range of the quantifiers [Field,H]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
17. Mind and Body / E. Mind as Physical / 2. Reduction of Mind
10826 'Valence' and 'gene' had to be reduced to show their compatibility with physicalism [Field,H]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
7615 Field says reference is a causal physical relation between mental states and objects [Field,H, by Putnam]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
25. Social Practice / E. Policies / 5. Education / b. Education principles
13304 Learned men gain more in one day than others do in a lifetime [Posidonius]
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
20820 Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]