42 ideas
| 4456 | Epistemological Ockham's Razor demands good reasons, but the ontological version says reality is simple [Moreland] |
| 4474 | Existence theories must match experience, possibility, logic and knowledge, and not be self-defeating [Moreland] |
| 4461 | Tropes are like Hume's 'impressions', conceived as real rather than as ideal [Moreland] |
| 4462 | A colour-trope cannot be simple (as required), because it is spread in space, and so it is complex [Moreland] |
| 4463 | In 'four colours were used in the decoration', colours appear to be universals, not tropes [Moreland] |
| 4451 | If properties are universals, what distinguishes two things which have identical properties? [Moreland] |
| 4453 | One realism is one-over-many, which may be the model/copy view, which has the Third Man problem [Moreland] |
| 4464 | Realists see properties as universals, which are single abstract entities which are multiply exemplifiable [Moreland] |
| 4449 | Evidence for universals can be found in language, communication, natural laws, classification and ideals [Moreland] |
| 4450 | The traditional problem of universals centres on the "One over Many", which is the unity of natural classes [Moreland] |
| 4454 | The One-In-Many view says universals have abstract existence, but exist in particulars [Moreland] |
| 4468 | How could 'being even', or 'being a father', or a musical interval, exist naturally in space? [Moreland] |
| 4452 | Maybe universals are real, if properties themselves have properties, and relate to other properties [Moreland] |
| 4467 | A naturalist and realist about universals is forced to say redness can be both moving and stationary [Moreland] |
| 4469 | There are spatial facts about red particulars, but not about redness itself [Moreland] |
| 4472 | Redness is independent of red things, can do without them, has its own properties, and has identity [Moreland] |
| 4459 | Moderate nominalism attempts to embrace the existence of properties while avoiding universals [Moreland] |
| 4458 | Unlike Class Nominalism, Resemblance Nominalism can distinguish natural from unnatural classes [Moreland] |
| 4457 | There can be predicates with no property, and there are properties with no predicate [Moreland] |
| 4471 | We should abandon the concept of a property since (unlike sets) their identity conditions are unclear [Moreland] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 4476 | Most philosophers think that the identity of indiscernibles is false [Moreland] |
| 4460 | Abstractions are formed by the mind when it concentrates on some, but not all, the features of a thing [Moreland] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 4455 | It is always open to a philosopher to claim that some entity or other is unanalysable [Moreland] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| 4473 | 'Presentism' is the view that only the present moment exists [Moreland] |