39 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 5331 | You can't infer that because you have a hidden birth-mark, everybody else does [Ayer] |
| 2611 | It is currently held that quantifying over something implies belief in its existence [Ayer] |
| 16520 | We see properties necessary for a kind (in the definition), but not for an individual [Ayer] |
| 2613 | The theory of other minds has no rival [Ayer] |
| 5328 | Originally I combined a mentalistic view of introspection with a behaviouristic view of other minds [Ayer] |
| 5330 | Physicalism undercuts the other mind problem, by equating experience with 'public' brain events [Ayer] |
| 5326 | Qualia must be united by a subject, because they lead to concepts and judgements [Ayer] |
| 5325 | Is something an 'experience' because it relates to other experiences, or because it relates to a subject? [Ayer] |
| 5324 | Bodily identity and memory work together to establish personal identity [Ayer] |
| 5322 | Self-consciousness is not basic, because experiences are not instrinsically marked with ownership [Ayer] |
| 5327 | Temporal gaps in the consciousness of a spirit could not be bridged by memories [Ayer] |
| 5329 | Why shouldn't we say brain depends on mind? Better explanation! [Ayer] |
| 2610 | Talk of propositions is just shorthand for talking about equivalent sentences [Ayer] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |