Combining Texts

All the ideas for 'reports', 'Croce and Collingwood' and 'An Outline of Philosophy'

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30 ideas

1. Philosophy / D. Nature of Philosophy / 1. Philosophy
1798 He studied philosophy by suspending his judgement on everything [Pyrrho, by Diog. Laertius]
2. Reason / A. Nature of Reason / 9. Limits of Reason
1800 Sceptics say reason is only an instrument, because reason can only be attacked with reason [Pyrrho, by Diog. Laertius]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
6595 If we need a criterion of truth, we need to know whether it is the correct criterion [Pyrrho, by Fogelin]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
6593 The Pyrrhonians attacked the dogmas of professors, not ordinary people [Pyrrho, by Fogelin]
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
6592 Academics said that Pyrrhonians were guilty of 'negative dogmatism' [Pyrrho, by Fogelin]
13. Knowledge Criteria / E. Relativism / 1. Relativism
1805 Judgements vary according to local culture and law (Mode 5) [Pyrrho, by Diog. Laertius]
1803 Objects vary according to which sense perceives them (Mode 3) [Pyrrho, by Diog. Laertius]
1807 Perception varies with viewing distance and angle (Mode 7) [Pyrrho, by Diog. Laertius]
1810 Perception and judgement depend on comparison (Mode 10) [Pyrrho, by Diog. Laertius]
1802 Individuals vary in responses and feelings (Mode 2) [Pyrrho, by Diog. Laertius]
1801 Animals vary in their feelings and judgements (Mode 1) [Pyrrho, by Diog. Laertius]
1804 Perception varies with madness or disease (Mode 4) [Pyrrho, by Diog. Laertius]
1808 Perception of things depends on their size or quantity (Mode 8) [Pyrrho, by Diog. Laertius]
1806 Perception of objects depends on surrounding conditions (Mode 6) [Pyrrho, by Diog. Laertius]
1809 Perception is affected by expectations (Mode 9) [Pyrrho, by Diog. Laertius]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / d. Ethical theory
21740 I doubt whether ethics is part of philosophy [Russell]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / h. Expressivism
21741 'You ought to do p' primarily has emotional content, expressing approval [Russell]
22. Metaethics / B. Value / 2. Values / g. Love
21746 Unlike hate, all desires can be satisfied by love [Russell]
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
21747 Goodness is a combination of love and knowledge [Russell]
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
21743 In wartime, happiness is hating the enemy, because it gives the war a purpose [Russell]
23. Ethics / C. Virtue Theory / 1. Virtue Theory / b. Basis of virtue
21742 Originally virtue was obedience, to gods, government, or custom [Russell]
23. Ethics / D. Deontological Ethics / 4. Categorical Imperative
21745 Act so as to produce harmonious rather than discordant desires [Russell]
25. Social Practice / D. Justice / 3. Punishment / d. Reform of offenders
21744 Legally curbing people's desires is inferior to improving their desires [Russell]
26. Natural Theory / C. Causation / 7. Eliminating causation
3062 There are no causes, because they are relative, and alike things can't cause one another [Pyrrho, by Diog. Laertius]
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
3063 Motion can't move where it is, and can't move where it isn't, so it can't exist [Pyrrho, by Diog. Laertius]
27. Natural Reality / D. Time / 3. Parts of Time / e. Present moment
22891 We could be aware of time if senses briefly vibrated, extending their experience of movement [Russell, by Bardon]