Combining Texts

All the ideas for 'Scientific Explanation', 'Are there propositions?' and 'Art and Its Objects'

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30 ideas

2. Reason / F. Fallacies / 4. Circularity
One sort of circularity presupposes a premise, the other presupposes a rule being used [Braithwaite, by Devitt]
3. Truth / C. Correspondence Truth / 2. Correspondence to Facts
A true proposition seems true of one fact, but a false proposition seems true of nothing at all. [Ryle]
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
Two maps might correspond to one another, but they are only 'true' of the country they show [Ryle]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
Logic studies consequence, compatibility, contradiction, corroboration, necessitation, grounding.... [Ryle]
7. Existence / D. Theories of Reality / 8. Facts / c. Facts and truths
Many sentences do not state facts, but there are no facts which could not be stated [Ryle]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
12. Knowledge Sources / B. Perception / 3. Representation
Representation assumes you know the ideas, and the reality, and the relation between the two [Ryle]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
If you like judgments and reject propositions, what are the relata of incoherence in a judgment? [Ryle]
19. Language / A. Nature of Meaning / 1. Meaning
Husserl and Meinong wanted objective Meanings and Propositions, as subject-matter for Logic [Ryle]
19. Language / A. Nature of Meaning / 3. Meaning as Speaker's Intention
When I utter a sentence, listeners grasp both my meaning and my state of mind [Ryle]
19. Language / D. Propositions / 1. Propositions
'Propositions' name what is thought, because 'thoughts' and 'judgments' are too ambiguous [Ryle]
19. Language / D. Propositions / 4. Mental Propositions
Several people can believe one thing, or make the same mistake, or share one delusion [Ryle]
We may think in French, but we don't know or believe in French [Ryle]
19. Language / D. Propositions / 6. Propositions Critique
There are no propositions; they are just sentences, used for thinking, which link to facts in a certain way [Ryle]
If we accept true propositions, it is hard to reject false ones, and even nonsensical ones [Ryle]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]