31 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 12132 | Indiscernibility is a necessary and sufficient condition for identity [Brody] |
| 15834 | Brody bases sortal essentialism on properties required throughout something's existence [Brody, by Mackie,P] |
| 12140 | Modern emphasis is on properties had essentially; traditional emphasis is on sort-defining properties [Brody] |
| 11895 | A sortal essence is a property which once possessed always possessed [Brody, by Mackie,P] |
| 12141 | Maybe essential properties are those which determine a natural kind? [Brody] |
| 12137 | De re essentialism standardly says all possible objects identical with a have a's essential properties [Brody] |
| 12142 | Essentially, a has P, always had P, must have had P, and has never had a future without P [Brody] |
| 12143 | An object having a property essentially is equivalent to its having it necessarily [Brody] |
| 12144 | Essentialism is justified if the essential properties of things explain their other properties [Brody] |
| 12139 | Mereological essentialism says that every part that ensures the existence is essential [Brody] |
| 12135 | Interrupted objects have two first moments of existence, which could be two beginnings [Brody] |
| 12130 | a and b share all properties; so they share being-identical-with-a; so a = b [Brody] |
| 12138 | Identity across possible worlds is prior to rigid designation [Brody] |
| 19696 | There are reasons 'for which' a belief is held, reasons 'why' it is believed, and reasons 'to' believe it [Neta] |
| 19697 | The basing relation of a reason to a belief should both support and explain the belief [Neta] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |