30 ideas
18806 | Frege thought traditional categories had psychological and linguistic impurities [Frege, by Rumfitt] |
8490 | First-level functions have objects as arguments; second-level functions take functions as arguments [Frege] |
8492 | Relations are functions with two arguments [Frege] |
8487 | Arithmetic is a development of logic, so arithmetical symbolism must expand into logical symbolism [Frege] |
18899 | Frege takes the existence of horses to be part of their concept [Frege, by Sommers] |
4028 | Frege allows either too few properties (as extensions) or too many (as predicates) [Mellor/Oliver on Frege] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
8489 | The concept 'object' is too simple for analysis; unlike a function, it is an expression with no empty place [Frege] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
3643 | The concept of mind excludes body, and vice versa [Descartes] |
9947 | Concepts are the ontological counterparts of predicative expressions [Frege, by George/Velleman] |
10319 | An assertion about the concept 'horse' must indirectly speak of an object [Frege, by Hale] |
8488 | A concept is a function whose value is always a truth-value [Frege] |
9948 | Unlike objects, concepts are inherently incomplete [Frege, by George/Velleman] |
4972 | I may regard a thought about Phosphorus as true, and the same thought about Hesperus as false [Frege] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
8491 | The Ontological Argument fallaciously treats existence as a first-level concept [Frege] |