Combining Texts

All the ideas for 'Some Remarks on Essentialism', 'Croce and Collingwood' and 'The Nature of Mental States'

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16 ideas

9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
Essentialism says some of a thing's properties are necessary, and could not be absent [Cartwright,R]
9. Objects / D. Essence of Objects / 14. Knowledge of Essences
The difficulty in essentialism is deciding the grounds for rating an attribute as essential [Cartwright,R]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Essentialism is said to be unintelligible, because relative, if necessary truths are all analytic [Cartwright,R]
9. Objects / F. Identity among Objects / 3. Relative Identity
An act of ostension doesn't seem to need a 'sort' of thing, even of a very broad kind [Cartwright,R]
17. Mind and Body / B. Behaviourism / 2. Potential Behaviour
Dispositions need mental terms to define them [Putnam]
17. Mind and Body / B. Behaviourism / 4. Behaviourism Critique
Total paralysis would mean that there were mental states but no behaviour at all [Putnam]
17. Mind and Body / C. Functionalism / 1. Functionalism
Is pain a functional state of a complete organism? [Putnam]
Functionalism is compatible with dualism, as pure mind could perform the functions [Putnam]
Functional states correlate with AND explain pain behaviour [Putnam]
17. Mind and Body / D. Property Dualism / 3. Property Dualism
Temperature is mean molecular kinetic energy, but they are two different concepts [Putnam]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
Neuroscience does not support multiple realisability, and tends to support identity [Polger on Putnam]
If humans and molluscs both feel pain, it can't be a single biological state [Putnam, by Kim]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]