Combining Texts

All the ideas for 'Justified Belief as Responsible Belief', 'Artistic Value and Opportunistic Moralism' and 'The Structure of Paradoxes of Self-Reference'

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16 ideas

2. Reason / A. Nature of Reason / 6. Coherence
Coherentists seek relations among beliefs that are simple, conservative and explanatory [Foley]
5. Theory of Logic / L. Paradox / 1. Paradox
Typically, paradoxes are dealt with by dividing them into two groups, but the division is wrong [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / b. König's paradox
The 'least indefinable ordinal' is defined by that very phrase [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / c. Berry's paradox
'x is a natural number definable in less than 19 words' leads to contradiction [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / d. Richard's paradox
By diagonalization we can define a real number that isn't in the definable set of reals [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / c. Burali-Forti's paradox
The least ordinal greater than the set of all ordinals is both one of them and not one of them [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / e. Mirimanoff's paradox
The next set up in the hierarchy of sets seems to be both a member and not a member of it [Priest,G]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you know that a sentence is not one of the known sentences, you know its truth [Priest,G]
There are Liar Pairs, and Liar Chains, which fit the same pattern as the basic Liar [Priest,G]
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / c. Disjunctivism
Externalists want to understand knowledge, Internalists want to understand justification [Foley]
13. Knowledge Criteria / B. Internal Justification / 2. Pragmatic justification
We aren't directly pragmatic about belief, but pragmatic about the deliberation which precedes it [Foley]
Justification comes from acceptable procedures, given practical constraints [Foley]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The works we value most are in sympathy with our own moral views [John,E]
We should understand what is morally important in a story, without having to endorse it [John,E]
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]