Combining Texts

All the ideas for 'Universal Prescriptivism', 'Identity and Existence in Logic' and 'Introductions to 'Aesthetics and the Phil of Art''

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22 ideas

4. Formal Logic / E. Nonclassical Logics / 6. Free Logic
Free logics has terms that do not designate real things, and even empty domains [Anderson,CA]
5. Theory of Logic / G. Quantification / 5. Second-Order Quantification
Basic variables in second-order logic are taken to range over subsets of the individuals [Anderson,CA]
5. Theory of Logic / G. Quantification / 7. Unorthodox Quantification
Stop calling ∃ the 'existential' quantifier, read it as 'there is...', and range over all entities [Anderson,CA]
7. Existence / A. Nature of Existence / 2. Types of Existence
Do mathematicians use 'existence' differently when they say some entity exists? [Anderson,CA]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
We can distinguish 'ontological' from 'existential' commitment, for different kinds of being [Anderson,CA]
9. Objects / A. Existence of Objects / 4. Impossible objects
We cannot pick out a thing and deny its existence, but we can say a concept doesn't correspond [Anderson,CA]
's is non-existent' cannot be said if 's' does not designate [Anderson,CA]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
Individuation was a problem for medievals, then Leibniz, then Frege, then Wittgenstein (somewhat) [Anderson,CA]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
The notion of 'property' is unclear for a logical version of the Identity of Indiscernibles [Anderson,CA]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
How can intuitionists distinguish universal convictions from local cultural ones? [Hare]
You can't use intuitions to decide which intuitions you should cultivate [Hare]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / h. Expressivism
Emotivists mistakenly think all disagreements are about facts, and so there are no moral reasons [Hare]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / i. Prescriptivism
An 'ought' statement implies universal application [Hare]
If morality is just a natural or intuitive description, that leads to relativism [Hare]
Descriptivism say ethical meaning is just truth-conditions; prescriptivism adds an evaluation [Hare]
If there can be contradictory prescriptions, then reasoning must be involved [Hare]
Prescriptivism sees 'ought' statements as imperatives which are universalisable [Hare]
Prescriptivism implies a commitment, but descriptivism doesn't [Hare]
23. Ethics / D. Deontological Ethics / 3. Universalisability
Moral judgements must invoke some sort of principle [Hare]