Combining Texts

All the ideas for 'Action, Intention and Reason', 'Critique of Judgement I: Aesthetic' and 'Introduction to 'Language Truth and Logic''

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23 ideas

13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / c. Empirical foundations
Basic propositions refer to a single experience, are incorrigible, and conclusively verifiable [Ayer]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
The argument from analogy fails, so the best account of other minds is behaviouristic [Ayer]
19. Language / A. Nature of Meaning / 5. Meaning as Verification
A statement is meaningful if observation statements can be deduced from it [Ayer]
Directly verifiable statements must entail at least one new observation statement [Ayer]
The principle of verification is not an empirical hypothesis, but a definition [Ayer]
19. Language / D. Propositions / 1. Propositions
Sentences only express propositions if they are meaningful; otherwise they are 'statements' [Ayer]
20. Action / C. Motives for Action / 3. Acting on Reason / c. Reasons as causes
Actions are not mere effects of reasons, but are under their control [Audi,R]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / i. Prescriptivism
Moral approval and disapproval concerns classes of actions, rather than particular actions [Ayer]