Combining Texts

All the ideas for 'Primitive Thisness and Primitive Identity', 'What is so bad about Contradictions?' and 'Critique of Judgement I: Aesthetic'

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26 ideas

2. Reason / B. Laws of Thought / 3. Non-Contradiction
Someone standing in a doorway seems to be both in and not-in the room [Priest,G, by Sorensen]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
A 'thisness' is a thing's property of being identical with itself (not the possession of self-identity) [Adams,RM]
There are cases where mere qualities would not ensure an intrinsic identity [Adams,RM]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Essences are taken to be qualitative properties [Adams,RM]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
If the universe was cyclical, totally indiscernible events might occur from time to time [Adams,RM]
Two events might be indiscernible yet distinct, if there was a universe cyclical in time [Adams,RM]
Black's two globes might be one globe in highly curved space [Adams,RM]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Are possible worlds just qualities, or do they include primitive identities as well? [Adams,RM]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / b. Worlds as fictions
Possible worlds are world-stories, maximal descriptions of whole non-existent worlds [Adams,RM, by Molnar]
10. Modality / E. Possible worlds / 3. Transworld Objects / d. Haecceitism
Adams says anti-haecceitism reduces all thisness to suchness [Adams,RM, by Stalnaker]
Haecceitism may or may not involve some logical connection to essence [Adams,RM, by Mackie,P]
Moderate Haecceitism says transworld identities are primitive, but connected to qualities [Adams,RM]
19. Language / B. Reference / 3. Direct Reference / a. Direct reference
Direct reference is by proper names, or indexicals, or referential uses of descriptions [Adams,RM]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]