37 ideas
| 18986 | Truth is just a name for verification-processes [James] |
| 18983 | In many cases there is no obvious way in which ideas can agree with their object [James] |
| 18972 | Ideas are true in so far as they co-ordinate our experiences [James] |
| 18973 | New opinions count as 'true' if they are assimilated to an individual's current beliefs [James] |
| 18984 | True ideas are those we can assimilate, validate, corroborate and verify (and false otherwise) [James] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 16463 | Adams says actual things have haecceities, but not things that only might exist [Adams,RM, by Stalnaker] |
| 18987 | A 'thing' is simply carved out of reality for human purposes [James] |
| 18981 | 'Substance' is just a word for groupings and structures in experience [James] |
| 18974 | Truth is a species of good, being whatever proves itself good in the way of belief [James] |
| 18989 | Pragmatism accepts any hypothesis which has useful consequences [James] |
| 18971 | Theories are practical tools for progress, not answers to enigmas [James] |
| 18985 | True thoughts are just valuable instruments of action [James] |
| 18982 | Pragmatism says all theories are instrumental - that is, mental modes of adaptation to reality [James] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 18975 | We return to experience with concepts, where they show us differences [James] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 18980 | If there is a 'greatest knower', it doesn't follow that they know absolutely everything [James] |
| 18978 | It is hard to grasp a cosmic mind which produces such a mixture of goods and evils [James] |
| 18991 | If the God hypothesis works well, then it is true [James] |
| 18977 | The wonderful design of a woodpecker looks diabolical to its victims [James] |
| 18979 | Things with parts always have some structure, so they always appear to be designed [James] |
| 18976 | Private experience is the main evidence for God [James] |
| 18990 | Nirvana means safety from sense experience, and hindus and buddhists are just afraid of life [James] |