25 ideas
| 8510 | 'Socrates is wise' means a concurrence sum contains a member of a similarity set [Williams,DC] |
| 8508 | A 'trope' is an abstract particular, the occurrence of an essence [Williams,DC] |
| 8509 | A world is completely constituted by its tropes and their connections [Williams,DC] |
| 19527 | We don't acquire evidence and then derive some knowledge, because evidence IS knowledge [Williamson] |
| 19528 | Knowledge is prior to believing, just as doing is prior to trying to do [Williamson] |
| 19529 | Belief explains justification, and knowledge explains belief, so knowledge explains justification [Williamson] |
| 19530 | A neutral state of experience, between error and knowledge, is not basic; the successful state is basic [Williamson] |
| 19531 | Internalism about mind is an obsolete view, and knowledge-first epistemology develops externalism [Williamson] |
| 19536 | Knowledge-first says your total evidence IS your knowledge [Williamson] |
| 19526 | Surely I am acquainted with physical objects, not with appearances? [Williamson] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 19534 | How does inferentialism distinguish the patterns of inference that are essential to meaning? [Williamson] |
| 19535 | Internalist inferentialism has trouble explaining how meaning and reference relate [Williamson] |
| 19533 | Inferentialist semantics relies on internal inference relations, not on external references [Williamson] |
| 19532 | Truth-conditional referential semantics is externalist, referring to worldly items [Williamson] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |