Combining Texts

All the ideas for 'An Essay in Aesthetics', 'Ideas: intro to pure phenomenology' and 'What is the Source of Knowledge of Modal Truths?'

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56 ideas

1. Philosophy / H. Continental Philosophy / 2. Phenomenology
Phenomenology studies different types of correlation between consciousness and its objects [Husserl, by Bernet]
Phenomenology needs absolute reflection, without presuppositions [Husserl]
There can only be a science of fluctuating consciousness if it focuses on stable essences [Husserl, by Bernet]
Phenomenology aims to validate objects, on the basis of intentional intuitive experience [Husserl, by Bernet]
Husserl saw transcendental phenomenology as idealist, in its construction of objects [Husserl, by Bernet]
Start philosophising with no preconceptions, from the intuitively non-theoretical self-given [Husserl]
Epoché or 'bracketing' is refraining from judgement, even when some truths are certain [Husserl]
'Bracketing' means no judgements at all about spatio-temporal existence [Husserl]
After everything is bracketed, consciousness still has a unique being of its own [Husserl]
Phenomenology describes consciousness, in the light of pure experiences [Husserl]
2. Reason / D. Definition / 6. Definition by Essence
A definition of a circle will show what it is, and show its generating principle [Lowe]
Defining an ellipse by conic sections reveals necessities, but not the essence of an ellipse [Lowe]
An essence is what an entity is, revealed by a real definition; this is not an entity in its own right [Lowe]
2. Reason / D. Definition / 11. Ostensive Definition
Simple things like 'red' can be given real ostensive definitions [Lowe]
2. Reason / D. Definition / 13. Against Definition
The use of mathematical-style definitions in philosophy is fruitless and harmful [Husserl]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
Our goal is to reveal a new hidden region of Being [Husserl]
7. Existence / A. Nature of Existence / 3. Being / h. Dasein (being human)
As a thing and its perception are separated, two modes of Being emerge [Husserl]
7. Existence / D. Theories of Reality / 3. Reality
The World is all experiencable objects [Husserl]
7. Existence / D. Theories of Reality / 4. Anti-realism
Absolute reality is an absurdity [Husserl]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
The essence of lumps and statues shows that two objects coincide but are numerically distinct [Lowe]
The essence of a bronze statue shows that it could be made of different bronze [Lowe]
9. Objects / D. Essence of Objects / 4. Essence as Definition
Grasping an essence is just grasping a real definition [Lowe]
9. Objects / D. Essence of Objects / 5. Essence as Kind
The sense of anything contingent has a purely apprehensible essence or Eidos [Husserl]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Explanation can't give an account of essence, because it is too multi-faceted [Lowe]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Imagine an object's properties varying; the ones that won't vary are the essential ones [Husserl, by Vaidya]
9. Objects / D. Essence of Objects / 14. Knowledge of Essences
If we must know some entity to know an essence, we lack a faculty to do that [Lowe]
10. Modality / A. Necessity / 3. Types of Necessity
Logical necessities, based on laws of logic, are a proper sub-class of metaphysical necessities [Lowe]
10. Modality / A. Necessity / 5. Metaphysical Necessity
'Metaphysical' necessity is absolute and objective - the strongest kind of necessity [Lowe]
10. Modality / B. Possibility / 2. Epistemic possibility
'Epistemic' necessity is better called 'certainty' [Lowe]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
If an essence implies p, then p is an essential truth, and hence metaphysically necessary [Lowe]
Metaphysical necessity is either an essential truth, or rests on essential truths [Lowe]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
We could give up possible worlds if we based necessity on essences [Lowe]
11. Knowledge Aims / B. Certain Knowledge / 4. The Cogito
The physical given, unlike the mental given, could be non-existing [Husserl]
12. Knowledge Sources / A. A Priori Knowledge / 2. Self-Evidence
Feelings of self-evidence (and necessity) are just the inventions of theory [Husserl]
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
Direct 'seeing' by consciousness is the ultimate rational legitimation [Husserl]
'Intuitions' are just unreliable 'hunches'; over centuries intuitions change enormously [Lowe]
12. Knowledge Sources / E. Direct Knowledge / 4. Memory
The phenomena of memory are given in the present, but as being past [Husserl, by Bernet]
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
Natural science has become great by just ignoring ancient scepticism [Husserl]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
We know another's mind via bodily expression, while also knowing it is inaccessible [Husserl, by Bernet]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / b. Essence of consciousness
Pure consciousness is a sealed off system of actual Being [Husserl]
16. Persons / C. Self-Awareness / 2. Knowing the Self
We never meet the Ego, as part of experience, or as left over from experience [Husserl]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / D. Concepts / 1. Concepts / a. Nature of concepts
A concept is a way of thinking of things or kinds, whether or not they exist [Lowe]
19. Language / B. Reference / 3. Direct Reference / a. Direct reference
Direct reference doesn't seem to require that thinkers know what it is they are thinking about [Lowe]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / B. Value / 1. Nature of Value / b. Fact and value
Only facts follow from facts [Husserl]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
H2O isn't necessary, because different laws of nature might affect how O and H combine [Lowe]