27 ideas
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 12157 | Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton] |
| 20346 | The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim] |
| 18547 | Only rational beings can experience beauty [Kant, by Scruton] |
| 24172 | It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20408 | With respect to the senses, taste is an entirely personal matter [Kant] |
| 20409 | When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant] |
| 20411 | Saying everyone has their own taste destroys the very idea of taste [Kant] |
| 24170 | Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant] |
| 22711 | The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch] |
| 4025 | Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C] |
| 20412 | Beauty is only judged in pure contemplation, and not with something else at stake [Kant] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 22046 | The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard] |
| 21458 | The sublime is a moral experience [Kant, by Gardner] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20410 | The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant] |
| 5643 | Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| 4422 | The end need not be the goal, as in the playing of a melody (and yet it must be completed) [Nietzsche] |