Combining Texts

All the ideas for 'An Essay in Aesthetics', 'Intention, Plans, and Practical Reason' and 'Axiomatic Thought'

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21 ideas

5. Theory of Logic / K. Features of Logics / 1. Axiomatisation
17963 The facts of geometry, arithmetic or statics order themselves into theories [Hilbert]
17966 Axioms must reveal their dependence (or not), and must be consistent [Hilbert]
6. Mathematics / B. Foundations for Mathematics / 2. Proof in Mathematics
17967 To decide some questions, we must study the essence of mathematical proof itself [Hilbert]
6. Mathematics / B. Foundations for Mathematics / 3. Axioms for Geometry
17965 The whole of Euclidean geometry derives from a basic equation and transformations [Hilbert]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / a. Axioms for numbers
17964 Number theory just needs calculation laws and rules for integers [Hilbert]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
20. Action / B. Preliminaries of Action / 1. Intention to Act / a. Nature of intentions
20034 Intentions must be mutually consistent, affirm appropriate means, and fit the agent's beliefs [Bratman, by Wilson/Schpall]
20033 Intentions are normative, requiring commitment and further plans [Bratman, by Wilson/Schpall]
20. Action / B. Preliminaries of Action / 1. Intention to Act / b. Types of intention
20026 Intention is either the aim of an action, or a long-term constraint on what we can do [Bratman, by Wilson/Schpall]
20. Action / B. Preliminaries of Action / 1. Intention to Act / c. Reducing intentions
20032 Bratman rejected reducing intentions to belief-desire, because they motivate, and have their own standards [Bratman, by Wilson/Schpall]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / d. Knowing essences
17968 By digging deeper into the axioms we approach the essence of sciences, and unity of knowedge [Hilbert]