34 ideas
| 6947 | Metaphysics does not rest on facts, but on what we are inclined to believe [Peirce] |
| 9978 | Analytic philosophy focuses too much on forms of expression, instead of what is actually said [Tait] |
| 6937 | Reason aims to discover the unknown by thinking about the known [Peirce] |
| 9986 | The null set was doubted, because numbering seemed to require 'units' [Tait] |
| 9984 | We can have a series with identical members [Tait] |
| 21492 | Realism is basic to the scientific method [Peirce] |
| 6949 | If someone doubted reality, they would not actually feel dissatisfaction [Peirce] |
| 6940 | The feeling of belief shows a habit which will determine our actions [Peirce] |
| 6941 | We are entirely satisfied with a firm belief, even if it is false [Peirce] |
| 6942 | We want true beliefs, but obviously we think our beliefs are true [Peirce] |
| 6943 | A mere question does not stimulate a struggle for belief; there must be a real doubt [Peirce] |
| 6598 | We need our beliefs to be determined by some external inhuman permanency [Peirce] |
| 6944 | Demonstration does not rest on first principles of reason or sensation, but on freedom from actual doubt [Peirce] |
| 6948 | Doubts should be satisfied by some external permanency upon which thinking has no effect [Peirce] |
| 6945 | Once doubt ceases, there is no point in continuing to argue [Peirce] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 9981 | Abstraction is 'logical' if the sense and truth of the abstraction depend on the concrete [Tait] |
| 9982 | Cantor and Dedekind use abstraction to fix grammar and objects, not to carry out proofs [Tait] |
| 9985 | Abstraction may concern the individuation of the set itself, not its elements [Tait] |
| 9972 | Why should abstraction from two equipollent sets lead to the same set of 'pure units'? [Tait] |
| 9980 | If abstraction produces power sets, their identity should imply identity of the originals [Tait] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| 6939 | What is true of one piece of copper is true of another (unlike brass) [Peirce] |
| 6938 | Natural selection might well fill an animal's mind with pleasing thoughts rather than true ones [Peirce] |
| 6946 | If death is annihilation, belief in heaven is a cheap pleasure with no disappointment [Peirce] |