Combining Texts

All the ideas for 'Public Text and Common Reader', 'The Material Mind' and 'Speaking of Objects'

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13 ideas

7. Existence / C. Structure of Existence / 7. Abstract/Concrete / a. Abstract/concrete
We can only see an alien language in terms of our own thought structures (e.g. physical/abstract) [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / b. Commitment of quantifiers
"No entity without identity" - our ontology must contain items with settled identity conditions [Quine, by Melia]
8. Modes of Existence / B. Properties / 12. Denial of Properties
There is no proper identity concept for properties, and it is hard to distinguish one from two [Quine]
9. Objects / A. Existence of Objects / 2. Abstract Objects / b. Need for abstracta
Our conceptual scheme becomes more powerful when we posit abstract objects [Quine]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
I prefer 'no object without identity' to Quine's 'no entity without identity' [Lowe on Quine]
18. Thought / B. Mechanics of Thought / 1. Psychology
In no important way can psychology be reduced to the physical sciences [Davidson]
19. Language / F. Communication / 6. Interpreting Language / b. Indeterminate translation
You could know the complete behavioural conditions for a foreign language, and still not know their beliefs [Quine]
Translation of our remote past or language could be as problematic as alien languages [Quine]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]