Combining Texts

All the ideas for 'Public Text and Common Reader', 'Commentary on Euclid's 'Elements'' and 'Modal Logic within Counterfactual Logic'

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13 ideas

4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / h. System S5
In S5 matters of possibility and necessity are non-contingent [Williamson]
10. Modality / A. Necessity / 1. Types of Modality
Necessity is counterfactually implied by its negation; possibility does not counterfactually imply its negation [Williamson]
10. Modality / B. Possibility / 8. Conditionals / a. Conditionals
Strict conditionals imply counterfactual conditionals: □(A⊃B)⊃(A□→B) [Williamson]
10. Modality / B. Possibility / 9. Counterfactuals
Counterfactual conditionals transmit possibility: (A□→B)⊃(◊A⊃◊B) [Williamson]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Rather than define counterfactuals using necessity, maybe necessity is a special case of counterfactuals [Williamson, by Hale/Hoffmann,A]
14. Science / D. Explanation / 2. Types of Explanation / g. Causal explanations
Geometrical proofs do not show causes, as when we prove a triangle contains two right angles [Proclus]
15. Nature of Minds / C. Capacities of Minds / 2. Imagination
Imagination is important, in evaluating possibility and necessity, via counterfactuals [Williamson]
18. Thought / E. Abstraction / 1. Abstract Thought
The origin of geometry started in sensation, then moved to calculation, and then to reason [Proclus]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]