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All the ideas for 'Action', 'The Philosophy of Art (2nd ed)' and 'On the Principles of Indiscernibles'

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59 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
Evolutionary explanations look to the past or the group, not to the individual [Stout,R]
14. Science / D. Explanation / 2. Types of Explanation / g. Causal explanations
Not all explanation is causal. We don't explain a painting's beauty, or the irrationality of root-2, that way [Stout,R]
20. Action / A. Definition of Action / 1. Action Theory
Philosophy of action studies the nature of agency, and of deliberate actions [Stout,R]
Agency is causal processes that are sensitive to justification [Stout,R]
20. Action / A. Definition of Action / 2. Duration of an Action
Mental states and actions need to be separate, if one is to cause the other [Stout,R]
Are actions bodily movements, or a sequence of intention-movement-result? [Stout,R]
If one action leads to another, does it cause it, or is it part of it? [Stout,R]
20. Action / A. Definition of Action / 3. Actions and Events
I do actions, but not events, so actions are not events [Stout,R]
20. Action / A. Definition of Action / 4. Action as Movement
Bicycle riding is not just bodily movement - you also have to be on the bicycle [Stout,R]
20. Action / B. Preliminaries of Action / 1. Intention to Act / a. Nature of intentions
The rationalistic approach says actions are intentional when subject to justification [Stout,R]
The causal theory says that actions are intentional when intention (or belief-desire) causes the act [Stout,R]
Deciding what to do usually involves consulting the world, not our own minds [Stout,R]
Should we study intentions in their own right, or only as part of intentional action? [Stout,R]
You can have incompatible desires, but your intentions really ought to be consistent [Stout,R]
The normativity of intentions would be obvious if they were internal promises [Stout,R]
20. Action / B. Preliminaries of Action / 1. Intention to Act / b. Types of intention
Intentional agency is seen in internal precursors of action, and in external reasons for the act [Stout,R]
Speech needs sustained intentions, but not prior intentions [Stout,R]
20. Action / B. Preliminaries of Action / 1. Intention to Act / d. Group intentions
Bratman has to treat shared intentions as interrelated individual intentions [Stout,R]
A request to pass the salt shares an intention that the request be passed on [Stout,R]
An individual cannot express the intention that a group do something like moving a piano [Stout,R]
An intention is a goal to which behaviour is adapted, for an individual or for a group [Stout,R]
20. Action / B. Preliminaries of Action / 2. Willed Action / b. Volitionism
If the action of walking is just an act of will, then movement of the legs seems irrelevant [Stout,R]
20. Action / B. Preliminaries of Action / 2. Willed Action / c. Agent causation
Most philosophers see causation as by an event or state in the agent, rather than the whole agent [Stout,R]
If you don't mention an agent, you aren't talking about action [Stout,R]
20. Action / B. Preliminaries of Action / 2. Willed Action / d. Weakness of will
If you can judge one act as best, then do another, this supports an inward-looking view of agency [Stout,R]
20. Action / C. Motives for Action / 1. Acting on Desires
Maybe your emotions arise from you motivations, rather than being their cause [Stout,R]
For an ascetic a powerful desire for something is a reason not to implement it [Stout,R]
20. Action / C. Motives for Action / 3. Acting on Reason / c. Reasons as causes
Beliefs, desires and intentions are not events, so can't figure in causal relations [Stout,R]
A standard view says that the explanation of an action is showing its rational justification [Stout,R]
In order to be causal, an agent's reasons must be internalised as psychological states [Stout,R]
20. Action / C. Motives for Action / 4. Responsibility for Actions
An action is only yours if you produce it, rather than some state or event within you [Stout,R]
There may be a justification relative to a person's view, and yet no absolute justification [Stout,R]
20. Action / C. Motives for Action / 5. Action Dilemmas / b. Double Effect
Describing a death as a side-effect rather than a goal may just be good public relations [Stout,R]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
26. Natural Theory / C. Causation / 8. Particular Causation / b. Causal relata
Aristotelian causation involves potentiality inputs into processes (rather than a pair of events) [Stout,R]
28. God / B. Proving God / 2. Proofs of Reason / a. Ontological Proof
The concept of an existing thing must contain more than the concept of a non-existing thing [Leibniz]