Combining Texts

All the ideas for 'A Puzzle about Belief', 'Vagueness, Truth and Logic' and 'Art and Its Objects'

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28 ideas

1. Philosophy / F. Analytic Philosophy / 6. Logical Analysis
Study vagueness first by its logic, then by its truth-conditions, and then its metaphysics [Fine,K]
5. Theory of Logic / D. Assumptions for Logic / 2. Excluded Middle
Excluded Middle, and classical logic, may fail for vague predicates [Fine,K]
5. Theory of Logic / I. Semantics of Logic / 3. Logical Truth
Logic holding between indefinite sentences is the core of all language [Fine,K]
7. Existence / D. Theories of Reality / 10. Vagueness / d. Vagueness as linguistic
Vagueness is semantic, a deficiency of meaning [Fine,K]
7. Existence / D. Theories of Reality / 10. Vagueness / e. Higher-order vagueness
A thing might be vaguely vague, giving us higher-order vagueness [Fine,K]
7. Existence / D. Theories of Reality / 10. Vagueness / f. Supervaluation for vagueness
A vague sentence is only true for all ways of making it completely precise [Fine,K]
Logical connectives cease to be truth-functional if vagueness is treated with three values [Fine,K]
Meaning is both actual (determining instances) and potential (possibility of greater precision) [Fine,K]
With the super-truth approach, the classical connectives continue to work [Fine,K]
Borderline cases must be under our control, as capable of greater precision [Fine,K]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / B. Unity of Objects / 3. Unity Problems / e. Vague objects
Vagueness can be in predicates, names or quantifiers [Fine,K]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
18. Thought / B. Mechanics of Thought / 5. Mental Files
Puzzled Pierre has two mental files about the same object [Recanati on Kripke]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]