Combining Texts

All the ideas for 'A Puzzle about Belief', 'An Essay in Aesthetics' and 'Conditionals'

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21 ideas

5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
14352 '¬', '&', and 'v' are truth functions: the truth of the compound is fixed by the truth of the components [Jackson]
10. Modality / B. Possibility / 8. Conditionals / b. Types of conditional
14360 Possible worlds for subjunctives (and dispositions), and no-truth for indicatives? [Jackson]
10. Modality / B. Possibility / 8. Conditionals / c. Truth-function conditionals
14353 Modus ponens requires that A→B is F when A is T and B is F [Jackson]
14354 When A and B have the same truth value, A→B is true, because A→A is a logical truth [Jackson]
14355 (A&B)→A is a logical truth, even if antecedent false and consequent true, so it is T if A is F and B is T [Jackson]
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
14358 In the possible worlds account of conditionals, modus ponens and modus tollens are validated [Jackson]
14359 Only assertions have truth-values, and conditionals are not proper assertions [Jackson]
14357 Possible worlds account, unlike A⊃B, says nothing about when A is false [Jackson]
10. Modality / B. Possibility / 8. Conditionals / f. Pragmatics of conditionals
14356 We can't insist that A is relevant to B, as conditionals can express lack of relevance [Jackson]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
18. Thought / B. Mechanics of Thought / 5. Mental Files
16383 Puzzled Pierre has two mental files about the same object [Recanati on Kripke]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]