Combining Texts

All the ideas for 'Wittgenstein on Rules and Private Language', 'Public Text and Common Reader' and 'Finkish dispositions'

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15 ideas

8. Modes of Existence / B. Properties / 6. Categorical Properties
The distinction between dispositional and 'categorical' properties leads to confusion [Lewis]
8. Modes of Existence / C. Powers and Dispositions / 3. Powers as Derived
All dispositions must have causal bases [Lewis]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / c. Dispositions as conditional
A 'finkish' disposition is real, but disappears when the stimulus occurs [Lewis]
10. Modality / B. Possibility / 9. Counterfactuals
Backtracking counterfactuals go from supposed events to their required causal antecedents [Lewis]
18. Thought / A. Modes of Thought / 10. Rule Following
'Quus' means the same as 'plus' if the ingredients are less than 57; otherwise it just produces 5 [Kripke]
No rule can be fully explained [Kripke]
19. Language / A. Nature of Meaning / 10. Denial of Meanings
Kripke's Wittgenstein says meaning 'vanishes into thin air' [Kripke, by Miller,A]
If you ask what is in your mind for following the addition rule, meaning just seems to vanish [Kripke]
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
Community implies assertability-conditions rather than truth-conditions semantics [Kripke, by Hanna]
19. Language / F. Communication / 4. Private Language
The sceptical rule-following paradox is the basis of the private language argument [Kripke, by Hanna]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]