Combining Texts

All the ideas for 'Wittgenstein on Rules and Private Language', 'Public Text and Common Reader' and 'Cartesian Meditations'

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14 ideas

7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
Husserl sees the ego as a monad, unifying presence, sense and intentional acts [Husserl, by Velarde-Mayol]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
Husserl's monads (egos) communicate, through acts of empathy. [Husserl, by Velarde-Mayol]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The psychological ego is worldly, and the pure ego follows transcendental reduction [Husserl, by Velarde-Mayol]
18. Thought / A. Modes of Thought / 10. Rule Following
No rule can be fully explained [Kripke]
'Quus' means the same as 'plus' if the ingredients are less than 57; otherwise it just produces 5 [Kripke]
19. Language / A. Nature of Meaning / 10. Denial of Meanings
Kripke's Wittgenstein says meaning 'vanishes into thin air' [Kripke, by Miller,A]
If you ask what is in your mind for following the addition rule, meaning just seems to vanish [Kripke]
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
Community implies assertability-conditions rather than truth-conditions semantics [Kripke, by Hanna]
19. Language / F. Communication / 4. Private Language
The sceptical rule-following paradox is the basis of the private language argument [Kripke, by Hanna]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]