25 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 14221 | Serious essentialism says everything has essences, they're not things, and they ground necessities [Shalkowski] |
| 14222 | Essences are what it is to be that (kind of) thing - in fact, they are the thing's identity [Shalkowski] |
| 14226 | We distinguish objects by their attributes, not by their essences [Shalkowski] |
| 14225 | Critics say that essences are too mysterious to be known [Shalkowski] |
| 14223 | De dicto necessity has linguistic entities as their source, so it is a type of de re necessity [Shalkowski] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 14224 | Equilateral and equiangular aren't the same, as we have to prove their connection [Shalkowski] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 6866 | It is disturbing if we become unreal when we die, but if time is unreal, then we remain real after death [Le Poidevin] |
| 6867 | Existentialism focuses on freedom and self-making, and insertion into the world [Le Poidevin] |
| 6865 | A-theory says past, present, future and flow exist; B-theory says this just reports our perspective [Le Poidevin] |