Combining Texts

All the ideas for 'works', 'Logic and Conversation' and 'Public Text and Common Reader'

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13 ideas

10. Modality / B. Possibility / 8. Conditionals / c. Truth-function conditionals
Conditionals are truth-functional, but we must take care with misleading ones [Grice, by Edgington]
The odd truth table for material conditionals is explained by conversational conventions [Grice, by Fisher]
Conditionals might remain truth-functional, despite inappropriate conversational remarks [Edgington on Grice]
10. Modality / B. Possibility / 8. Conditionals / f. Pragmatics of conditionals
A person can be justified in believing a proposition, though it is unreasonable to actually say it [Grice, by Edgington]
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
Freud treats the unconscious as intentional and hence mental [Freud, by Searle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch]