Combining Texts

All the ideas for 'works', 'Symbolic Reasoning' and 'Lectures on Aesthetics'

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14 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / b. Empty (Null) Set
The null class is the class with all the non-existents as its members [MacColl, by Lackey]
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
Freud treats the unconscious as intentional and hence mental [Freud, by Searle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
The main purpose of art is to express the unity of human life [Hegel]
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch]