33 ideas
| 10143 | 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K] |
| 9143 | Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert] |
| 10145 | Abstracts cannot be identified with sets [Fine,K] |
| 10136 | Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K] |
| 10144 | Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K] |
| 3488 | Freud treats the unconscious as intentional and hence mental [Freud, by Searle] |
| 5689 | Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker] |
| 23950 | Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon] |
| 9144 | Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert] |
| 10141 | Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K] |
| 10135 | We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K] |
| 9142 | Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert] |
| 10137 | Abstractionism can be regarded as an alternative to set theory [Fine,K] |
| 10138 | An object is the abstract of a concept with respect to a relation on concepts [Fine,K] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 22344 | Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |