Combining Texts

All the ideas for 'works', 'The Limits of Abstraction' and 'Lectures on Aesthetics'

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24 ideas

2. Reason / D. Definition / 3. Types of Definition
10143 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K]
9143 Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert]
3. Truth / A. Truth Problems / 2. Defining Truth
21793 Genuine truth is the resolution of the highest contradiction [Hegel]
3. Truth / A. Truth Problems / 3. Value of Truth
21795 What I hold true must also be part of my feelings and character [Hegel]
7. Existence / A. Nature of Existence / 4. Abstract Existence
10145 Abstracts cannot be identified with sets [Fine,K]
10136 Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K]
10144 Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K]
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
3488 Freud treats the unconscious as intentional and hence mental [Freud, by Searle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
5689 Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
23950 Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon]
18. Thought / E. Abstraction / 1. Abstract Thought
9144 Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert]
18. Thought / E. Abstraction / 2. Abstracta by Selection
10141 Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
10135 We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K]
9142 Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert]
10137 Abstractionism can be regarded as an alternative to set theory [Fine,K]
10138 An object is the abstract of a concept with respect to a relation on concepts [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
18549 Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
22043 Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
22042 Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20413 For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
20394 The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
21794 The main purpose of art is to express the unity of human life [Hegel]
20415 Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
22344 Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch]