Combining Texts

All the ideas for 'works', ''Ostrich Nominalism' or 'Mirage Realism'?' and 'Principles of Nature and Grace based on Reason'

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12 ideas

7. Existence / A. Nature of Existence / 5. Reason for Existence
First: there must be reasons; Second: why anything at all?; Third: why this? [Leibniz]
7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
A monad and its body are living, so life is everywhere, and comes in infinite degrees [Leibniz]
8. Modes of Existence / D. Universals / 1. Universals
Realism doesn't explain 'a is F' any further by saying it is 'a has F-ness' [Devitt]
8. Modes of Existence / E. Nominalism / 1. Nominalism / b. Nominalism about universals
The particular/universal distinction is unhelpful clutter; we should accept 'a is F' as basic [Devitt]
8. Modes of Existence / E. Nominalism / 1. Nominalism / c. Nominalism about abstracta
Quineans take predication about objects as basic, not reference to properties they may have [Devitt]
12. Knowledge Sources / B. Perception / 1. Perception
'Perception' is basic internal representation, and 'apperception' is reflective knowledge of perception [Leibniz]
15. Nature of Minds / A. Nature of Mind / 7. Animal Minds
Animals are semi-rational because they connect facts, but they don't see causes [Leibniz]
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
Freud treats the unconscious as intentional and hence mental [Freud, by Searle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music charms, although its beauty is the harmony of numbers [Leibniz]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch]