43 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 10888 | Sets can be defined by 'enumeration', or by 'abstraction' (based on a property) [Zalabardo] |
| 10889 | The 'Cartesian Product' of two sets relates them by pairing every element with every element [Zalabardo] |
| 10890 | A 'partial ordering' is reflexive, antisymmetric and transitive [Zalabardo] |
| 10886 | Determinacy: an object is either in a set, or it isn't [Zalabardo] |
| 10887 | Specification: Determinate totals of objects always make a set [Zalabardo] |
| 10897 | A first-order 'sentence' is a formula with no free variables [Zalabardo] |
| 10893 | Γ |= φ for sentences if φ is true when all of Γ is true [Zalabardo] |
| 10899 | Γ |= φ if φ is true when all of Γ is true, for all structures and interpretations [Zalabardo] |
| 10896 | Propositional logic just needs ¬, and one of ∧, ∨ and → [Zalabardo] |
| 10898 | The semantics shows how truth values depend on instantiations of properties and relations [Zalabardo] |
| 10902 | We can do semantics by looking at given propositions, or by building new ones [Zalabardo] |
| 10892 | We make a truth assignment to T and F, which may be true and false, but merely differ from one another [Zalabardo] |
| 10895 | 'Logically true' (|= φ) is true for every truth-assignment [Zalabardo] |
| 10900 | Logically true sentences are true in all structures [Zalabardo] |
| 10894 | A sentence-set is 'satisfiable' if at least one truth-assignment makes them all true [Zalabardo] |
| 10901 | Some formulas are 'satisfiable' if there is a structure and interpretation that makes them true [Zalabardo] |
| 10903 | A structure models a sentence if it is true in the model, and a set of sentences if they are all true in the model [Zalabardo] |
| 10891 | If a set is defined by induction, then proof by induction can be applied to it [Zalabardo] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 1743 | The greatest deterrence for injustice is if uninjured parties feel as much indignation as those who are injured [Solon, by Diog. Laertius] |