37 ideas
| 11193 | Understanding begins with the notion of being and essence [Avicenna] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 7807 | The laws of thought are true, but they are not the axioms of logic [Bolzano, by George/Van Evra] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 9618 | Bolzano wanted to reduce all of geometry to arithmetic [Bolzano, by Brown,JR] |
| 9830 | Bolzano began the elimination of intuition, by proving something which seemed obvious [Bolzano, by Dummett] |
| 17265 | Philosophical proofs in mathematics establish truths, and also show their grounds [Bolzano, by Correia/Schnieder] |
| 11209 | The simple's whatness is its very self [Avicenna] |
| 11204 | The ultimate material of things has the unity of total formlessness [Avicenna] |
| 15036 | An essence can either be universal (in the mind) or singular (in concrete particulars) [Avicenna, by Panaccio] |
| 9185 | Bolzano wanted to avoid Kantian intuitions, and prove everything that could be proved [Bolzano, by Dummett] |
| 22276 | Bolzano saw propositions as objective entities, existing independently of us [Bolzano, by Potter] |
| 17264 | Propositions are abstract structures of concepts, ready for judgement or assertion [Bolzano, by Correia/Schnieder] |
| 12232 | A 'proposition' is the sense of a linguistic expression, and can be true or false [Bolzano] |
| 12233 | The ground of a pure conceptual truth is only in other conceptual truths [Bolzano] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |