43 ideas
15053 | If metaphysics can't be settled, it hardly matters whether it makes sense [Fine,K] |
15054 | 'Quietist' says abandon metaphysics because answers are unattainable (as in Kant's noumenon) [Fine,K] |
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
15007 | If you make 'grounding' fundamental, you have to mention some non-fundamental notions [Sider on Fine,K] |
15006 | Something is grounded when it holds, and is explained, and necessitated by something else [Fine,K, by Sider] |
15055 | Grounding relations are best expressed as relations between sentences [Fine,K] |
15050 | Reduction might be producing a sentence which gets closer to the logical form [Fine,K] |
15051 | Reduction might be semantic, where a reduced sentence is understood through its reduction [Fine,K] |
15052 | Reduction is modal, if the reductions necessarily entail the truth of the target sentence [Fine,K] |
15056 | The notion of reduction (unlike that of 'ground') implies the unreality of what is reduced [Fine,K] |
15047 | What is real can only be settled in terms of 'ground' [Fine,K] |
15046 | Reality is a primitive metaphysical concept, which cannot be understood in other terms [Fine,K] |
15060 | Why should what is explanatorily basic be therefore more real? [Fine,K] |
15048 | In metaphysics, reality is regarded as either 'factual', or as 'fundamental' [Fine,K] |
15061 | Although colour depends on us, we can describe the world that way if it picks out fundamentals [Fine,K] |
15059 | Grounding is an explanation of truth, and needs all the virtues of good explanations [Fine,K] |
15057 | Ultimate explanations are in 'grounds', which account for other truths, which hold in virtue of the grounding [Fine,K] |
15058 | A proposition ingredient is 'essential' if changing it would change the truth-value [Fine,K] |
18552 | Forget about beauty; just concentrate on the virtues of delicacy and discernment admired in critics [Hume, by Scruton] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
6608 | Strong sense, delicate sentiment, practice, comparisons, and lack of prejudice, are all needed for good taste [Hume] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |