Combining Texts

All the ideas for 'The Philosophy of Art (2nd ed)', 'Of the standard of taste' and 'The Question of Realism'

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43 ideas

1. Philosophy / E. Nature of Metaphysics / 2. Possibility of Metaphysics
If metaphysics can't be settled, it hardly matters whether it makes sense [Fine,K]
1. Philosophy / E. Nature of Metaphysics / 7. Against Metaphysics
'Quietist' says abandon metaphysics because answers are unattainable (as in Kant's noumenon) [Fine,K]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
If you make 'grounding' fundamental, you have to mention some non-fundamental notions [Sider on Fine,K]
Something is grounded when it holds, and is explained, and necessitated by something else [Fine,K, by Sider]
7. Existence / C. Structure of Existence / 1. Grounding / b. Relata of grounding
Grounding relations are best expressed as relations between sentences [Fine,K]
7. Existence / C. Structure of Existence / 2. Reduction
Reduction might be producing a sentence which gets closer to the logical form [Fine,K]
Reduction might be semantic, where a reduced sentence is understood through its reduction [Fine,K]
Reduction is modal, if the reductions necessarily entail the truth of the target sentence [Fine,K]
The notion of reduction (unlike that of 'ground') implies the unreality of what is reduced [Fine,K]
7. Existence / D. Theories of Reality / 3. Reality
What is real can only be settled in terms of 'ground' [Fine,K]
Reality is a primitive metaphysical concept, which cannot be understood in other terms [Fine,K]
Why should what is explanatorily basic be therefore more real? [Fine,K]
In metaphysics, reality is regarded as either 'factual', or as 'fundamental' [Fine,K]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / d. Secondary qualities
Although colour depends on us, we can describe the world that way if it picks out fundamentals [Fine,K]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Grounding is an explanation of truth, and needs all the virtues of good explanations [Fine,K]
14. Science / D. Explanation / 3. Best Explanation / b. Ultimate explanation
Ultimate explanations are in 'grounds', which account for other truths, which hold in virtue of the grounding [Fine,K]
19. Language / D. Propositions / 5. Unity of Propositions
A proposition ingredient is 'essential' if changing it would change the truth-value [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Forget about beauty; just concentrate on the virtues of delicacy and discernment admired in critics [Hume, by Scruton]
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Strong sense, delicate sentiment, practice, comparisons, and lack of prejudice, are all needed for good taste [Hume]
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]