36 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 12204 | The logic of metaphysical necessity is S5 [Rumfitt] |
| 12195 | Soundness in argument varies with context, and may be achieved very informally indeed [Rumfitt] |
| 12199 | There is a modal element in consequence, in assessing reasoning from suppositions [Rumfitt] |
| 12201 | We reject deductions by bad consequence, so logical consequence can't be deduction [Rumfitt] |
| 12194 | Contradictions include 'This is red and not coloured', as well as the formal 'B and not-B' [Rumfitt] |
| 12198 | Geometrical axioms in logic are nowadays replaced by inference rules (which imply the logical truths) [Rumfitt] |
| 14532 | A distinctive type of necessity is found in logical consequence [Rumfitt, by Hale/Hoffmann,A] |
| 12193 | Logical necessity is when 'necessarily A' implies 'not-A is contradictory' [Rumfitt] |
| 12200 | A logically necessary statement need not be a priori, as it could be unknowable [Rumfitt] |
| 12202 | Narrow non-modal logical necessity may be metaphysical, but real logical necessity is not [Rumfitt] |
| 12203 | If a world is a fully determinate way things could have been, can anyone consider such a thing? [Rumfitt] |
| 8044 | Goffman sees the self as no more than a peg on which to hang roles we play [Goffman, by MacIntyre] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |