51 ideas
6405 | Moore's 'The Nature of Judgement' (1898) marked the rejection (with Russell) of idealism [Moore,GE, by Grayling] |
7527 | Analysis for Moore and Russell is carving up the world, not investigating language [Moore,GE, by Monk] |
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
22289 | Dedekind proved definition by recursion, and thus proved the basic laws of arithmetic [Dedekind, by Potter] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
10183 | An infinite set maps into its own proper subset [Dedekind, by Reck/Price] |
22288 | We have the idea of self, and an idea of that idea, and so on, so infinite ideas are available [Dedekind, by Potter] |
10706 | Dedekind originally thought more in terms of mereology than of sets [Dedekind, by Potter] |
9823 | Numbers are free creations of the human mind, to understand differences [Dedekind] |
10090 | Dedekind defined the integers, rationals and reals in terms of just the natural numbers [Dedekind, by George/Velleman] |
17452 | Ordinals can define cardinals, as the smallest ordinal that maps the set [Dedekind, by Heck] |
7524 | Order, not quantity, is central to defining numbers [Dedekind, by Monk] |
14131 | Dedekind's ordinals are just members of any progression whatever [Dedekind, by Russell] |
14437 | Dedekind's axiom that his Cut must be filled has the advantages of theft over honest toil [Dedekind, by Russell] |
18094 | Dedekind says each cut matches a real; logicists say the cuts are the reals [Dedekind, by Bostock] |
9824 | In counting we see the human ability to relate, correspond and represent [Dedekind] |
9826 | A system S is said to be infinite when it is similar to a proper part of itself [Dedekind] |
13508 | Dedekind gives a base number which isn't a successor, then adds successors and induction [Dedekind, by Hart,WD] |
18096 | Zero is a member, and all successors; numbers are the intersection of sets satisfying this [Dedekind, by Bostock] |
18841 | Categoricity implies that Dedekind has characterised the numbers, because it has one domain [Rumfitt on Dedekind] |
14130 | Induction is proved in Dedekind, an axiom in Peano; the latter seems simpler and clearer [Dedekind, by Russell] |
8924 | Dedekind originated the structuralist conception of mathematics [Dedekind, by MacBride] |
9153 | Dedekindian abstraction talks of 'positions', where Cantorian abstraction talks of similar objects [Dedekind, by Fine,K] |
9825 | A thing is completely determined by all that can be thought concerning it [Dedekind] |
9189 | Dedekind said numbers were abstracted from systems of objects, leaving only their position [Dedekind, by Dummett] |
9827 | We derive the natural numbers, by neglecting everything of a system except distinctness and order [Dedekind] |
9979 | Dedekind has a conception of abstraction which is not psychologistic [Dedekind, by Tait] |
22302 | Moor bypassed problems of correspondence by saying true propositions ARE facts [Moore,GE, by Potter] |
7526 | Hegelians say propositions defy analysis, but Moore says they can be broken down [Moore,GE, by Monk] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |