52 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 18915 | If facts are the truthmakers, they are not in the world [Engelbretsen] |
| 18919 | There are no 'falsifying' facts, only an absence of truthmakers [Engelbretsen] |
| 18913 | Traditional term logic struggled to express relations [Engelbretsen] |
| 18907 | Term logic rests on negated terms or denial, and that propositions are tied pairs [Engelbretsen] |
| 18912 | Was logic a branch of mathematics, or mathematics a branch of logic? [Engelbretsen] |
| 18922 | Logical syntax is actually close to surface linguistic form [Engelbretsen] |
| 18905 | Propositions can be analysed as pairs of terms glued together by predication [Engelbretsen] |
| 18908 | Standard logic only negates sentences, even via negated general terms or predicates [Engelbretsen] |
| 18917 | Existence and nonexistence are characteristics of the world, not of objects [Engelbretsen] |
| 18916 | Facts are not in the world - they are properties of the world [Engelbretsen] |
| 18921 | Individuals are arranged in inclusion categories that match our semantics [Engelbretsen] |
| 4444 | One moderate nominalist view says that properties and relations exist, but they are particulars [Armstrong] |
| 4445 | If properties and relations are particulars, there is still the problem of how to classify and group them [Armstrong] |
| 4448 | Should we decide which universals exist a priori (through words), or a posteriori (through science)? [Armstrong] |
| 4446 | It is claimed that some universals are not exemplified by any particular, so must exist separately [Armstrong] |
| 4440 | 'Resemblance Nominalism' finds that in practice the construction of resemblance classes is hard [Armstrong] |
| 4439 | 'Resemblance Nominalism' says properties are resemblances between classes of particulars [Armstrong] |
| 4431 | 'Predicate Nominalism' says that a 'universal' property is just a predicate applied to lots of things [Armstrong] |
| 4433 | Concept and predicate nominalism miss out some predicates, and may be viciously regressive [Armstrong] |
| 4432 | 'Concept Nominalism' says a 'universal' property is just a mental concept applied to lots of things [Armstrong] |
| 4436 | 'Class Nominalism' may explain properties if we stick to 'natural' sets, and ignore random ones [Armstrong] |
| 4434 | 'Class Nominalism' says that properties or kinds are merely membership of a set (e.g. of white things) [Armstrong] |
| 4435 | 'Class Nominalism' cannot explain co-extensive properties, or sets with random members [Armstrong] |
| 4437 | 'Mereological Nominalism' sees whiteness as a huge white object consisting of all the white things [Armstrong] |
| 4438 | 'Mereological Nominalism' may work for whiteness, but it doesn't seem to work for squareness [Armstrong] |
| 18918 | Terms denote objects with properties, and statements denote the world with that property [Engelbretsen] |
| 18920 | 'Socrates is wise' denotes a sentence; 'that Socrates is wise' denotes a proposition [Engelbretsen] |
| 18906 | Negating a predicate term and denying its unnegated version are quite different [Engelbretsen] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |