58 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 8187 | Frege was strongly in favour of taking truth to attach to propositions [Frege, by Dummett] |
| 18772 | We can treat designation by a few words as a proper name [Frege] |
| 14075 | Proper name in modal contexts refer obliquely, to their usual sense [Frege, by Gibbard] |
| 10424 | A Fregean proper name has a sense determining an object, instead of a concept [Frege, by Sainsbury] |
| 18773 | People may have different senses for 'Aristotle', like 'pupil of Plato' or 'teacher of Alexander' [Frege] |
| 4978 | The meaning of a proper name is the designated object [Frege] |
| 10510 | Frege ascribes reference to incomplete expressions, as well as to singular terms [Frege, by Hale] |
| 18937 | If sentences have a 'sense', empty name sentences can be understood that way [Frege, by Sawyer] |
| 18940 | It is a weakness of natural languages to contain non-denoting names [Frege] |
| 18939 | In a logically perfect language every well-formed proper name designates an object [Frege] |
| 9462 | Frege is intensionalist about reference, as it is determined by sense; identity of objects comes first [Frege, by Jacquette] |
| 18936 | Frege moved from extensional to intensional semantics when he added the idea of 'sense' [Frege, by Sawyer] |
| 10533 | We can't get a semantics from nouns and predicates referring to the same thing [Frege, by Dummett] |
| 4893 | Frege was asking how identities could be informative [Frege, by Perry] |
| 18752 | 'The concept "horse"' denotes a concept, yet seems also to denote an object [Frege, by McGee] |
| 22318 | Frege failed to show when two sets of truth-conditions are equivalent [Frege, by Potter] |
| 4980 | The meaning (reference) of a sentence is its truth value - the circumstance of it being true or false [Frege] |
| 9180 | Holism says all language use is also a change in the rules of language [Frege, by Dummett] |
| 4981 | The reference of a word should be understood as part of the reference of the sentence [Frege] |
| 15597 | Frege's Puzzle: from different semantics we infer different reference for two names with the same reference [Frege, by Fine,K] |
| 17002 | Frege's 'sense' is ambiguous, between the meaning of a designator, and how it fixes reference [Kripke on Frege] |
| 18778 | Every descriptive name has a sense, but may not have a reference [Frege] |
| 7805 | Frege started as anti-realist, but the sense/reference distinction led him to realism [Frege, by Benardete,JA] |
| 4976 | The meaning (reference) of 'evening star' is the same as that of 'morning star', but not the sense [Frege] |
| 4977 | In maths, there are phrases with a clear sense, but no actual reference [Frege] |
| 4979 | We are driven from sense to reference by our desire for truth [Frege] |
| 15155 | Expressions always give ways of thinking of referents, rather than the referents themselves [Frege, by Soames] |
| 11126 | 'Sense' gives meaning to non-referring names, and to two expressions for one referent [Frege, by Margolis/Laurence] |
| 8164 | Frege was the first to construct a plausible theory of meaning [Frege, by Dummett] |
| 9817 | Earlier Frege focuses on content itself; later he became interested in understanding content [Frege, by Dummett] |
| 8171 | Frege divided the meaning of a sentence into sense, force and tone [Frege, by Dummett] |
| 4954 | Frege uses 'sense' to mean both a designator's meaning, and the way its reference is determined [Kripke on Frege] |
| 7304 | Frege explained meaning as sense, semantic value, reference, force and tone [Frege, by Miller,A] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 7496 | Rules and duties are based on the will, as that is all we control [Montaigne] |