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All the ideas for 'The Philosophy of Art (2nd ed)', 'talk' and 'Necessary Beings'

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48 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
You cannot understand what exists without understanding possibility and necessity [Hale]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 6. Definition by Essence
A canonical defintion specifies the type of thing, and what distinguish this specimen [Hale]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
4. Formal Logic / D. Modal Logic ML / 7. Barcan Formula
The two Barcan principles are easily proved in fairly basic modal logic [Hale]
With a negative free logic, we can dispense with the Barcan formulae [Hale]
5. Theory of Logic / A. Overview of Logic / 7. Second-Order Logic
If second-order variables range over sets, those are just objects; properties and relations aren't sets [Hale]
5. Theory of Logic / C. Ontology of Logic / 4. Logic by Convention
Maybe conventionalism applies to meaning, but not to the truth of propositions expressed [Hale]
5. Theory of Logic / H. Proof Systems / 4. Natural Deduction
Unlike axiom proofs, natural deduction proofs needn't focus on logical truths and theorems [Hale]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Add Hume's principle to logic, to get numbers; arithmetic truths rest on the nature of the numbers [Hale]
7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Interesting supervenience must characterise the base quite differently from what supervenes on it [Hale]
7. Existence / D. Theories of Reality / 8. Facts / c. Facts and truths
There is no gap between a fact that p, and it is true that p; so we only have the truth-condtions for p [Hale]
9. Objects / C. Structure of Objects / 5. Composition of an Object
If a chair could be made of slightly different material, that could lead to big changes [Hale]
10. Modality / A. Necessity / 3. Types of Necessity
Absolute necessities are necessarily necessary [Hale]
'Absolute necessity' is when there is no restriction on the things which necessitate p [Hale]
Logical and metaphysical necessities differ in their vocabulary, and their underlying entities [Hale]
10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity is something which is true, no matter what else is the case [Hale]
Maybe each type of logic has its own necessity, gradually becoming broader [Hale]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
It seems that we cannot show that modal facts depend on non-modal facts [Hale]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
The big challenge for essentialist views of modality is things having necessary existence [Hale]
Essentialism doesn't explain necessity reductively; it explains all necessities in terms of a few basic natures [Hale]
If necessity derives from essences, how do we explain the necessary existence of essences? [Hale]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
What are these worlds, that being true in all of them makes something necessary? [Hale]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Possible worlds make every proposition true or false, which endorses classical logic [Hale]
15. Nature of Minds / B. Features of Minds / 5. Qualia / b. Qualia and intentionality
Maybe lots of qualia lead to intentionality, rather than intentionality being basic [Gildersleve]
18. Thought / C. Content / 6. Broad Content
The molecules may explain the water, but they are not what 'water' means [Hale]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]