38 ideas
| 14255 | We understand things through their dependency relations [Fine,K] |
| 14250 | Metaphysics deals with the existence of things and with the nature of things [Fine,K] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 14259 | Maybe two objects might require simultaneous real definitions, as with two simultaneous terms [Fine,K] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 14253 | An object's 'being' isn't existence; there's more to an object than existence, and its nature doesn't include existence [Fine,K] |
| 14261 | There is 'weak' dependence in one definition, and 'strong' dependence in all the definitions [Fine,K] |
| 14251 | A natural modal account of dependence says x depends on y if y must exist when x does [Fine,K] |
| 14257 | An object depends on another if the second cannot be eliminated from the first's definition [Fine,K] |
| 14254 | Dependency is the real counterpart of one term defining another [Fine,K] |
| 14252 | We should understand identity in terms of the propositions it renders true [Fine,K] |
| 14256 | How do we distinguish basic from derived esssences? [Fine,K] |
| 14258 | Maybe some things have essential relationships as well as essential properties [Fine,K] |
| 14260 | An object only essentially has a property if that property follows from every definition of the object [Fine,K] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22442 | If lies were ever acceptable, with would undermine all duties based on contract [Kant] |
| 22441 | The law will protect you if you tell a truth which results in murder [Kant] |