Combining Texts

All the ideas for 'The Philosophy of Art (2nd ed)', 'The Philosopher's Toolkit' and 'Frege on Apriority'

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43 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / B. Laws of Thought / 2. Sufficient Reason
The Principle of Sufficient Reason does not presuppose that all explanations will be causal explanations [Baggini /Fosl]
2. Reason / B. Laws of Thought / 3. Non-Contradiction
You cannot rationally deny the principle of non-contradiction, because all reasoning requires it [Baggini /Fosl]
2. Reason / C. Styles of Reason / 1. Dialectic
Dialectic aims at unified truth, unlike analysis, which divides into parts [Baggini /Fosl]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / e. Axioms of PL
'Natural' systems of deduction are based on normal rational practice, rather than on axioms [Baggini /Fosl]
In ideal circumstances, an axiom should be such that no rational agent could possibly object to its use [Baggini /Fosl]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
The principle of bivalence distorts reality, as when claiming that a person is or is not 'thin' [Baggini /Fosl]
6. Mathematics / A. Nature of Mathematics / 2. Geometry
You can't simply convert geometry into algebra, as some spatial content is lost [Burge]
9. Objects / F. Identity among Objects / 3. Relative Identity
If identity is based on 'true of X' instead of 'property of X' we get the Masked Man fallacy ('I know X but not Y') [Baggini /Fosl, by PG]
9. Objects / F. Identity among Objects / 4. Type Identity
'I have the same car as you' is fine; 'I have the same fiancée as you' is not so good [Baggini /Fosl]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
Leibniz's Law is about the properties of objects; the Identity of Indiscernibles is about perception of objects [Baggini /Fosl]
10. Modality / A. Necessity / 3. Types of Necessity
Is 'events have causes' analytic a priori, synthetic a posteriori, or synthetic a priori? [Baggini /Fosl]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
'A priori' does not concern how you learn a proposition, but how you show whether it is true or false [Baggini /Fosl]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / b. Basic beliefs
Basic beliefs are self-evident, or sensual, or intuitive, or revealed, or guaranteed [Baggini /Fosl]
14. Science / A. Basis of Science / 6. Falsification
A proposition such as 'some swans are purple' cannot be falsified, only verified [Baggini /Fosl]
14. Science / C. Induction / 1. Induction
The problem of induction is how to justify our belief in the uniformity of nature [Baggini /Fosl]
14. Science / C. Induction / 4. Reason in Induction
How can an argument be good induction, but poor deduction? [Baggini /Fosl]
14. Science / D. Explanation / 3. Best Explanation / a. Best explanation
Abduction aims at simplicity, testability, coherence and comprehensiveness [Baggini /Fosl]
To see if an explanation is the best, it is necessary to investigate the alternative explanations [Baggini /Fosl]
18. Thought / A. Modes of Thought / 5. Rationality / a. Rationality
Consistency is the cornerstone of rationality [Baggini /Fosl]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]