52 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 4456 | Epistemological Ockham's Razor demands good reasons, but the ontological version says reality is simple [Moreland] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 8758 | We could talk of open sentences, instead of sets [Chihara, by Shapiro] |
| 10265 | Chihara's system is a variant of type theory, from which he can translate sentences [Chihara, by Shapiro] |
| 8759 | We can replace type theory with open sentences and a constructibility quantifier [Chihara, by Shapiro] |
| 10264 | Introduce a constructibility quantifiers (Cx)Φ - 'it is possible to construct an x such that Φ' [Chihara, by Shapiro] |
| 4474 | Existence theories must match experience, possibility, logic and knowledge, and not be self-defeating [Moreland] |
| 4461 | Tropes are like Hume's 'impressions', conceived as real rather than as ideal [Moreland] |
| 4462 | A colour-trope cannot be simple (as required), because it is spread in space, and so it is complex [Moreland] |
| 4463 | In 'four colours were used in the decoration', colours appear to be universals, not tropes [Moreland] |
| 4453 | One realism is one-over-many, which may be the model/copy view, which has the Third Man problem [Moreland] |
| 4464 | Realists see properties as universals, which are single abstract entities which are multiply exemplifiable [Moreland] |
| 4451 | If properties are universals, what distinguishes two things which have identical properties? [Moreland] |
| 4450 | The traditional problem of universals centres on the "One over Many", which is the unity of natural classes [Moreland] |
| 4449 | Evidence for universals can be found in language, communication, natural laws, classification and ideals [Moreland] |
| 4454 | The One-In-Many view says universals have abstract existence, but exist in particulars [Moreland] |
| 4468 | How could 'being even', or 'being a father', or a musical interval, exist naturally in space? [Moreland] |
| 4452 | Maybe universals are real, if properties themselves have properties, and relate to other properties [Moreland] |
| 4467 | A naturalist and realist about universals is forced to say redness can be both moving and stationary [Moreland] |
| 4469 | There are spatial facts about red particulars, but not about redness itself [Moreland] |
| 4472 | Redness is independent of red things, can do without them, has its own properties, and has identity [Moreland] |
| 4459 | Moderate nominalism attempts to embrace the existence of properties while avoiding universals [Moreland] |
| 4458 | Unlike Class Nominalism, Resemblance Nominalism can distinguish natural from unnatural classes [Moreland] |
| 4457 | There can be predicates with no property, and there are properties with no predicate [Moreland] |
| 4471 | We should abandon the concept of a property since (unlike sets) their identity conditions are unclear [Moreland] |
| 4476 | Most philosophers think that the identity of indiscernibles is false [Moreland] |
| 4460 | Abstractions are formed by the mind when it concentrates on some, but not all, the features of a thing [Moreland] |
| 4455 | It is always open to a philosopher to claim that some entity or other is unanalysable [Moreland] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 4473 | 'Presentism' is the view that only the present moment exists [Moreland] |