46 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 8166 | Truth is part of semantics, since valid inference preserves truth [Dummett] |
| 8173 | Language can violate bivalence because of non-referring terms or ill-defined predicates [Dummett] |
| 8179 | The law of excluded middle is the logical reflection of the principle of bivalence [Dummett] |
| 8184 | Philosophers should not presume reality, but only invoke it when language requires it [Dummett] |
| 8185 | We can't make sense of a world not apprehended by a mind [Dummett] |
| 8163 | Since 'no bird here' and 'no squirrel here' seem the same, we must talk of 'atomic' facts [Dummett] |
| 8161 | We know we can state facts, with true statements [Dummett] |
| 8180 | 'That is red or orange' might be considered true, even though 'that is red' and 'that is orange' were not [Dummett] |
| 8178 | Empirical and a priori knowledge are not distinct, but are extremes of a sliding scale [Dummett] |
| 8175 | A theory of thought will include propositional attitudes as well as propositions [Dummett] |
| 8174 | The theories of meaning and understanding are the only routes to an account of thought [Dummett] |
| 8165 | To 'abstract from' is a logical process, as opposed to the old mental view [Dummett] |
| 8168 | To know the truth-conditions of a sentence, you must already know the meaning [Dummett] |
| 8181 | A justificationist theory of meaning leads to the rejection of classical logic [Dummett] |
| 8182 | Verificationism could be realist, if we imagined the verification by a superhuman power [Dummett] |
| 8183 | If truths about the past depend on memories and current evidence, the past will change [Dummett] |
| 8176 | We could only guess the meanings of 'true' and 'false' when sentences were used [Dummett] |
| 8170 | Sentences are the primary semantic units, because they can say something [Dummett] |
| 8169 | We can't distinguish a proposition from its content [Dummett] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 20195 | Eudaimonia first; virtue is a trait which promotes it; right acts are what virtues produce [Hursthouse, by Zagzebski] |
| 8186 | Time is the measure of change, so we can't speak of time before all change [Dummett] |
| 8167 | If Presentism is correct, we cannot even say that the present changes [Dummett] |