36 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 13931 | By using aporiai as his start, Aristotle can defer to the wise, as well as to the many [Haslanger] |
| 13925 | Ontology disputes rest on more basic explanation disputes [Haslanger] |
| 13924 | The persistence of objects seems to be needed if the past is to explain the present [Haslanger] |
| 13930 | Persistence makes change and its products intelligible [Haslanger] |
| 13927 | We must explain change amongst 'momentary entities', or else the world is inexplicable [Haslanger] |
| 13928 | If the things which exist prior to now are totally distinct, they need not have existed [Haslanger] |
| 8830 | A belief can be justified when the person has forgotten the evidence for it [Goldman] |
| 8832 | If justified beliefs are well-formed beliefs, then animals and young children have them [Goldman] |
| 8829 | Justification depends on the reliability of its cause, where reliable processes tend to produce truth [Goldman] |
| 13929 | Natural explanations give the causal interconnections [Haslanger] |
| 13926 | Best explanations, especially natural ones, need grounding, notably by persistent objects [Haslanger] |
| 8831 | Introspection is really retrospection; my pain is justified by a brief causal history [Goldman] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |