55 ideas
| 22101 | Philosophy aims to know the truth about the way things are [Aquinas] |
| 21634 | Metaphysics is (supposedly) first the ontology, then in general what things are like [Hofweber] |
| 21666 | 'Fundamentality' is either a superficial idea, or much too obscure [Hofweber] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 21640 | 'It's true that Fido is a dog' conjures up a contrast class, of 'it's false' or 'it's unlikely' [Hofweber] |
| 21657 | Since properties can have properties, some theorists rank them in 'types' [Hofweber] |
| 21653 | Maybe not even names are referential, but are just by used by speakers to refer [Hofweber] |
| 21636 | 'Singular terms' are not found in modern linguistics, and are not the same as noun phrases [Hofweber] |
| 21637 | If two processes are said to be identical, that doesn't make their terms refer to entities [Hofweber] |
| 21643 | The inferential quantifier focuses on truth; the domain quantifier focuses on reality [Hofweber] |
| 21644 | Numbers are used as singular terms, as adjectives, and as symbols [Hofweber] |
| 21646 | The Amazonian Piraha language is said to have no number words [Hofweber] |
| 21665 | The fundamental theorem of arithmetic is that all numbers are composed uniquely of primes [Hofweber] |
| 21649 | How can words be used for counting if they are objects? [Hofweber] |
| 21647 | Logicism makes sense of our ability to know arithmetic just by thought [Hofweber] |
| 21648 | Neo-Fregeans are dazzled by a technical result, and ignore practicalities [Hofweber] |
| 21664 | Supervenience offers little explanation for things which necessarily go together [Hofweber] |
| 21660 | Reality can be seen as the totality of facts, or as the totality of things [Hofweber] |
| 21661 | There are probably ineffable facts, systematically hidden from us [Hofweber] |
| 21652 | Our perceptual beliefs are about ordinary objects, not about simples arranged chair-wise [Hofweber] |
| 21663 | Counterfactuals are essential for planning, and learning from mistakes [Hofweber] |
| 21654 | The "Fido"-Fido theory of meaning says every expression in a language has a referent [Hofweber] |
| 21641 | Inferential role semantics is an alternative to semantics that connects to the world [Hofweber] |
| 21638 | Syntactic form concerns the focus of the sentence, as well as the truth-conditions [Hofweber] |
| 21658 | Properties can be expressed in a language despite the absence of a single word for them [Hofweber] |
| 21659 | 'Being taller than this' is a predicate which can express many different properties [Hofweber] |
| 21655 | Compositonality is a way to build up the truth-conditions of a sentence [Hofweber] |
| 21656 | Proposition have no content, because they are content [Hofweber] |
| 21635 | Without propositions there can be no beliefs or desires [Hofweber] |
| 21662 | Do there exist thoughts which we are incapable of thinking? [Hofweber] |
| 21645 | 'Semantic type coercion' is selecting the reading of a word to make the best sense [Hofweber] |
| 21639 | 'Background deletion' is appropriately omitting background from an answer [Hofweber] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |