Combining Texts

All the ideas for 'The Gettier Problem', 'Public Text and Common Reader' and 'The Structure of Paradoxes of Self-Reference'

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14 ideas

5. Theory of Logic / L. Paradox / 1. Paradox
Typically, paradoxes are dealt with by dividing them into two groups, but the division is wrong [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / b. König's paradox
The 'least indefinable ordinal' is defined by that very phrase [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / c. Berry's paradox
'x is a natural number definable in less than 19 words' leads to contradiction [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / d. Richard's paradox
By diagonalization we can define a real number that isn't in the definable set of reals [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / c. Burali-Forti's paradox
The least ordinal greater than the set of all ordinals is both one of them and not one of them [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / e. Mirimanoff's paradox
The next set up in the hierarchy of sets seems to be both a member and not a member of it [Priest,G]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you know that a sentence is not one of the known sentences, you know its truth [Priest,G]
There are Liar Pairs, and Liar Chains, which fit the same pattern as the basic Liar [Priest,G]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / b. Gettier problem
A Gettier case is a belief which is true, and its fallible justification involves some luck [Hetherington]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]