Combining Texts

All the ideas for 'Intro to Naming,Necessity and Natural Kinds', 'Epistemology' and 'Art'

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28 ideas

2. Reason / D. Definition / 1. Definitions
5831 The new view is that "water" is a name, and has no definition [Schwartz,SP]
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
5829 We refer to Thales successfully by name, even if all descriptions of him are false [Schwartz,SP]
5830 The traditional theory of names says some of the descriptions must be correct [Schwartz,SP]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
7301 The phenomenalist says that to be is to be perceivable [Cardinal/Hayward/Jones]
7302 Linguistic phenomenalism says we can eliminate talk of physical objects [Cardinal/Hayward/Jones]
7303 If we lack enough sense-data, are we to say that parts of reality are 'indeterminate'? [Cardinal/Hayward/Jones]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / c. Primary qualities
7299 Primary qualities can be described mathematically, unlike secondary qualities [Cardinal/Hayward/Jones]
7300 An object cannot remain an object without its primary qualities [Cardinal/Hayward/Jones]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
7297 My justifications might be very coherent, but totally unconnected to the world [Cardinal/Hayward/Jones]
18. Thought / C. Content / 8. Intension
5826 The intension of "lemon" is the conjunction of properties associated with it [Schwartz,SP]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]