35 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
15570 | Phenomenology is the science of essences - necessary universal structures for art, representation etc. [Husserl, by Polt] |
7614 | Bracketing subtracts entailments about external reality from beliefs [Husserl, by Putnam] |
6893 | Phenomenology aims to describe experience directly, rather than by its origins or causes [Husserl, by Mautner] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
21216 | Husserl says we have intellectual intuitions (of categories), as well as of the senses [Husserl, by Velarde-Mayol] |
17488 | Empiricist theories are sets of laws, which give explanations and reductions [Glennan] |
17493 | Modern mechanism need parts with spatial, temporal and function facts, and diagrams [Glennan] |
17487 | Mechanistic philosophy of science is an alternative to the empiricist law-based tradition [Glennan] |
17489 | Mechanisms are either systems of parts or sequences of activities [Glennan] |
17490 | 17th century mechanists explained everything by the kinetic physical fundamentals [Glennan] |
17491 | Unlike the lawlike approach, mechanistic explanation can allow for exceptions [Glennan] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
17494 | Since causal events are related by mechanisms, causation can be analysed in that way [Glennan] |