Combining Texts

All the ideas for 'Classical Cosmology (frags)', 'Art' and 'Introduction to 'Language Truth and Logic''

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26 ideas

13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / c. Empirical foundations
5163 Basic propositions refer to a single experience, are incorrigible, and conclusively verifiable [Ayer]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
5167 The argument from analogy fails, so the best account of other minds is behaviouristic [Ayer]
19. Language / A. Nature of Meaning / 5. Meaning as Verification
5164 A statement is meaningful if observation statements can be deduced from it [Ayer]
5165 Directly verifiable statements must entail at least one new observation statement [Ayer]
5166 The principle of verification is not an empirical hypothesis, but a definition [Ayer]
19. Language / D. Propositions / 1. Propositions
5162 Sentences only express propositions if they are meaningful; otherwise they are 'statements' [Ayer]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / i. Prescriptivism
5168 Moral approval and disapproval concerns classes of actions, rather than particular actions [Ayer]
27. Natural Reality / E. Cosmology / 1. Cosmology
5994 Is the cosmos open or closed, mechanical or teleological, alive or inanimate, and created or eternal? [Robinson,TM, by PG]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]