56 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 9724 | Until the 1960s the only semantics was truth-tables [Enderton] |
| 9703 | 'dom R' indicates the 'domain' of objects having a relation [Enderton] |
| 9705 | 'fld R' indicates the 'field' of all objects in the relation [Enderton] |
| 9704 | 'ran R' indicates the 'range' of objects being related to [Enderton] |
| 9710 | We write F:A→B to indicate that A maps into B (the output of F on A is in B) [Enderton] |
| 9707 | 'F(x)' is the unique value which F assumes for a value of x [Enderton] |
| 9712 | A relation is 'symmetric' on a set if every ordered pair has the relation in both directions [Enderton] |
| 9713 | A relation is 'transitive' if it can be carried over from two ordered pairs to a third [Enderton] |
| 9699 | The 'powerset' of a set is all the subsets of a given set [Enderton] |
| 9700 | Two sets are 'disjoint' iff their intersection is empty [Enderton] |
| 9702 | A 'domain' of a relation is the set of members of ordered pairs in the relation [Enderton] |
| 9701 | A 'relation' is a set of ordered pairs [Enderton] |
| 9706 | A 'function' is a relation in which each object is related to just one other object [Enderton] |
| 9708 | A function 'maps A into B' if the relating things are set A, and the things related to are all in B [Enderton] |
| 9709 | A function 'maps A onto B' if the relating things are set A, and the things related to are set B [Enderton] |
| 9711 | A relation is 'reflexive' on a set if every member bears the relation to itself [Enderton] |
| 9714 | A relation satisfies 'trichotomy' if all pairs are either relations, or contain identical objects [Enderton] |
| 9717 | A set is 'dominated' by another if a one-to-one function maps the first set into a subset of the second [Enderton] |
| 9715 | An 'equivalence relation' is a reflexive, symmetric and transitive binary relation [Enderton] |
| 9716 | We 'partition' a set into distinct subsets, according to each relation on its objects [Enderton] |
| 9722 | Inference not from content, but from the fact that it was said, is 'conversational implicature' [Enderton] |
| 9718 | Validity is either semantic (what preserves truth), or proof-theoretic (following procedures) [Enderton] |
| 9721 | A logical truth or tautology is a logical consequence of the empty set [Enderton] |
| 9994 | A truth assignment to the components of a wff 'satisfy' it if the wff is then True [Enderton] |
| 9719 | A proof theory is 'sound' if its valid inferences entail semantic validity [Enderton] |
| 9720 | A proof theory is 'complete' if semantically valid inferences entail proof-theoretic validity [Enderton] |
| 9995 | Proof in finite subsets is sufficient for proof in an infinite set [Enderton] |
| 9996 | Expressions are 'decidable' if inclusion in them (or not) can be proved [Enderton] |
| 9997 | For a reasonable language, the set of valid wff's can always be enumerated [Enderton] |
| 9723 | Sentences with 'if' are only conditionals if they can read as A-implies-B [Enderton] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 16713 | Philosophers are the forefathers of heretics [Tertullian] |
| 6610 | I believe because it is absurd [Tertullian] |